The growing popularity of self-empowerment and needing attention has caused far too many people to stand in line for a shot at fame. This is true with American Idol, Presidential Elections, and for Last Comic Standing. Remember the old days, where talented people really stood out from the crowd and were immediately snatched up to sleep with assistant director’s assistants for a spot in a commercial for used cars? Aaaah, the early 2000’s.
The last and latest open call audition for a shot at the NBC show “Last Comic Standing,” now entering season 5-ish. The line started, from all reports, around 36 hours ahead of the auditions. I was still at home in the Seattle area when I got the call at 2pm that the line was already nearly 100 deep. I almost cancelled my ticket, but seriously, how many chances will I get in life to have a dream shot of sleeping outside and standing in the Arizona sun before having a dream crushed on TV? None, because those dreams were not going with me. They had other work to handle at home. LCS is a chance for a comedian to quantum-leap in their career. It means TV, great managers and agents, more money, and also a lot more road time and chances to build a career. It is a shot worth taking, just make sure the aim is true.
I got to the Tempe Improv around 9pm, and got in line with Travis Simmons, and we were numbers 94 & 95. We walked up and down the line to find people we knew, and chatted a while. I cannot give enough Thanks and Admiration to the lady who started the list of names and numbers so we could flow freely to and fro in the line. It saved a lot more headaches the following day. And to the comedians, the campers, the hopeful in line who worked together to make sure nobody had their stuff stolen, and nobody lost their place in line. We policed our own, and it worked out greatly.
The end of the line, at 9:30pm, was #171. In 2006 I got in line at 10pm and was 75th in line. Why would the line have grown so much in the past year? Please see the opening line of this entry. There are barely 171 funny people IN THE WORLD, I guarantee you that they were not all congregated on the sidewalk and lawn of a strip mall in Tempe. Funny is, of course, subjective, and it would be subjected to many twists and turns over the next 20 hours. The line would swell to over 200, which was small compared to other places.
So let’s get to the highlights:
1) The San Antonio fall-out helped the line have more comics than expected, and those guys are very dedicated. Check out THIS entry at SheckyMagazine.com for why that was so. The producers of the auditions appeared to have handled things poorly in TX, causing a rumored 50 comedians to head for Tempe.
2) Rumor had it that upwards of 20 spots in the front of the line were claimed by students of the local university. Not sure if that’s true, but if so, it kills 20 spots in line for people who may have had legit shots at having impressive auditions. Not that college kids aren't funny, but, by tradition, people aren't funny when they still have hope.
3) Open calls are not for the faint of heart or weak of ego. Hell, there were people I have seen on MAD TV, MTV, working comics and touring acts and commercial actors IN LINE for this thing. It matters a lot to some people. Those 20 spots matter a little more now.
4) There was one guy in particular in Tempe who kept trying to cut in line, a guy with a chain going from his ear to his nose, wearing blue and red, and everyone kept an eye on him. He was roundly booed and chastised for lying about purchasing a spot from a woman who had moved for a moment.
5) As the day moved on, people were buying spots from comedians near the front of the groups that were being herded through. The biggest buyouts were $400, the lowest I know of was $250 for a spot 4 ahead of mine, which was #87 when all was said and done. Attrition, heat, reality check, people left for whatever reasons.
6) While people complained about how long it was taking to get through the appointments of comedians who got a nod from an agent or booker so they didn’t have to wait in line, I reminded a few people that having an appointment doesn’t mean that person’s a better comedian than anybody else, or that they’ll have a better shot at getting through. The bigger issue for many people, that one could sense from the fact that so many people were saying it, was that a lot of the line were “headliners” and “road comics” and “veterans” and waiting in that line can be a gut check as much as a career check. It was for me.
7) A friend of mine, Andy Peters, had an appointment and did a joke that they said they couldn’t use on TV. I’ve heard the bit, it’s hysterical, and it’s far less offensive than a Gollum impression, how black people differ from white people, or having one premise about how your mother from another country says things funny because she’s, you know, from another country. To me, anyway. Andy is a very good comedian and is on his way up, so I told him not to sweat blowing the biggest opportunity of his comedy career.
The last audition to be seen was probably # 80 in line. Prior to that, there was zero line movement for about 2.5 hours. I did not get to audition. At that point, I don’t even know that I would be ready to go do jokes, just basically go in and talk about the humanity and the weird coolness… cool weirdness… of the phenomenon of fame, lines, and people who need hugs from their parents. I suspect next year people will camp out in line again, and some of them will be there with a plan and a dream. Some will be there with a price tag on their spot, camping out merely to sell it off. The best suggestion I heard was to have the producers call the clubs of cities near or in their audition spots to pick 20 comedians, have them compete for 5 or 10 appointment spots, (so you could get 30 to 50 appointments from a city and it’s neighboring metropolis, plus whomever else got a slot from outside sources), and then let the open call be for people who have no idea that their city even has a comedy club or a scene, or people not up to snuff for one of those spots. It’s a plan that favors the best of the bunch, and I’ll always support that.
So next year, would I do it again? Not without an appointment. Which means the next year requires that I keep working to evolve as a comedian and a person and get my act together, in all senses of the phrase. I actually got to meet and talk with a guy who is an active, working writer for TV and commercials, which is where I want to get to, soon. His insight and attitude and buddy-ship were worth every penny I spent on the trip.
Also, my buddy Ryan Hamilton made it through the first selection round, so he’ll be getting some TV time very soon. Watch him and vote for him every chance you get. He’s a great comedian, a great human being, and has absolutely no chance of helping my career, so you know what I say is sincere. I wish those comedians with established careers and Comedy Central Presents: specials all the best as they move towards getting more MySpace hits.
Back to the funny.
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Geoff Lott: Comedian, Writer, Philosoteur. I am here to amuse you, not entertain you. If not now, later. If not you, somebody else. If you can't laugh at yourself, that's just fine, too. I will do it for you.
